Grilling with Gluck

One of the best ways to decompress after a long, hot, triple-digit day is to come home and listen to Lilly Gibsonyour favorite performance of Christoph Willibald Gluck’s passionate love story, Orfeo ed Eurydice.      I picked it because it’s about renewal, faith, and (literally) undying love, and it’s just long enough to prepare a simple meal without too much hustle and bustle.

But what to eat, you say? You don’t want to heat up the kitchen in this weather, so do a little grilling. This meal is simple and cooks mostly by itself, and you’ll enjoy preparing it because you’ll be accompanied by the music of Gluck.

First, get a glass of wine or beverage of choice and put on the opera. While Orfeo is mourning his lost love with “Chiamo il mio ben, Objet de mon amour,” gather these ingredients:

  • Whole Chicken, cut upCorn on the Cob
  • Olive oil or melted butter or margarine
  • Freshly ground pepper
  • Fresh Garlic
  • Dark Brown Sugar
  • Corn on the Cob (with husks still attached)
  • Romaine Lettuce/Dressing

Put the garlic through a garlic press and mix with the pepper, oil or butter and just a pinch of brown sugar. Season to taste and relax while the ingredients get to know each other. At the end of Act 1, after Amore sings “Gli sguardi trattieni, Soumis au silence” and Orfeo resolves to go to the underworld to get his beloved Eurydice, place the chicken pieces in the mixture to marinate.

Just when the Furies try to burn Orfeo with their threats in Act II, turn on your gas grill. It doesn’t take that long to heat up; if you’re using a charcoal grill, firing up the coals should be done before you gather the ingredients.

It’s time to put the chicken and the corn on the grill, when Orfeo convinces the Furies to let him into the underworld. “Ah, quale incognito affetto, Quels chants doux.” The chicken should cook about 8 to 10 minutes on each side, depending on the temperature of your grill. The corn should not be placed directly on the fire, but on an upper shelf away from the flame.Orpheus & Eurydice

In Act III, after a brief moment of happiness between Orfeo and Eurydice before she dies again, cut up the Romaine lettuce, refrigerate it, and melt butter for the corn on the cob. The chicken and corn should be ready soon after Orfeo sings the famous aria, “Che farò senza Euridice? J’ai perdu mon Eurydice.”

Set the table, get the salad and melted butter, pour another glass of wine, and dine on your meal, just as Orfeo and Eurydice get together again. Perhaps you’ll be singing Trionfi Amore at the end of the meal and the opera.

Bon Appetit!

~Lilly Gibson, KMFA Announcer

You can hear Lilly Gibson on Saturday afternoons, as she hosts KMFA’s Saturday Matinee from 12 noon until 5 pm.

The Happy Harpsichord at the Armstrong Community Music School

a Portuguese Harpsichord, dated 1789

(an 18th-Century Harpsichord)

posted by Dianne Donovan, KMFA Announcer

Last Sunday I had the pleasure of attending an entertaining harpsichord concert/lecture by Keith Womer (director of La Follia Austin). Mr. Womer performed works by Bach, Froberger, Couperin, and Scarlatti, as well as modern works by Locklair and Angle, at the Armstrong Community Music School’s Preece Recital Hall.

He expounded on such details as ideal acoustics, how and why a harpsichord will “prefer” a particular room or hall, as well as common misconceptions: although it resembles a piano, it behaves more like a guitar, because the strings are plucked, not hammered.  Overall it was a very enjoyable and enlightening demonstration! Keith Womer’s enthusiasm for the instrument is positively infectious and was reflected in his fine performance.

If you missed out on last Sunday’s concert, check out this Sunday’s program, wherein  Keith Womer and Don Simons, both esteemed harpsichordists, will join efforts in “Music for Two Harpsichords,” including works by Buxtehude, Bach, Handel, Couperin, and Rameau. The performance will be at the Preece Recital Hall, Armstrong  Community Music School, and the concert begins at 4pm.

The Eroica Trio performs here in Austin

EroicaTrioThis past Sunday, I was fortunate to have acquired tickets to The Eroica Trio… they performed a stunning concert at Bates Recital Hall, UT Butler School of Music, as part of The Austin Chamber Music Festival. I really enjoyed the colorful and varied program that showcased both the talents of the individuals as well as the group’s uncanny sense of “oneness.” The highlight for me was the Piano Trio no. 1 by Edouard Lalo with it’s achingly beautiful “romance/andante” movement. Now I realize why this trio is one of the most sought-after in the classical music world.

Just another reason why it’s great to be a classical music fan living in Austin, Texas!

~Dianne Donovan

Dianne Donovan featured in Austin Woman Magazine

DDCheck out the June issue of Austin Woman Magazine to read up about KMFA announcer Dianne Donovan.  In the article Dianne shares what her life is like outside of KMFA including, singing, cooking classes, and even the soothing effects of yoga.

Austin Woman Magazine is a free publication available all over Austin.

Read the full article at http://www.austinwomanmagazine.com/Articles/2009/06_JUN/36_profile.html

Brian Satterwhite – a man of many talents

Brian Satterwhite

Brian Satterwhite

If you’re a fan of Film Score Focus then you might be aware that not only does host Brian Satterwhite have an encyclopedic knowledge of film scores but he is an accomplished film composer as well. In fact, Brian has been composing for over a decade now and recently wrote compositions for the SXSW hit Artois the Goat.

Portions of the score from Artois the Goat were recorded in KMFA’s Studio 2000 using the Steinway O piano.

Listen to selections from Artois the Goat as well as Cowboy Smoke, Ride Around the World, and other scores Brian has written by visiting his ReverbNation page. http://www.reverbnation.com/briansatterwhite

And if you like what you hear, drop Brian a line at bmsatter@nuancemusic.com.

Film Score Focus can be heard Saturday mornings on KMFA at 10.

Judy Watts, Development Coordinator

The Soloist: a Classical Summer Blockbuster Pick

The Soloist features the real life story of homeless, talented musician Nathaniel Ayers (Jamie Foxx) and Steve Lopez (Robert Downey Jr.) the LA Times author who finds him admiring a Beethoven statue in a park one fated day.  As Steve gets deeper and deeper into writing his story he also delves deeper and deeper into the homeless and mentally impaired world of Nathaniel Ayers.  Over 90,000 people are currently homeless in Greater LA and the Director Joe Wright does not hesitate to show an unflinching and often Purgatory-like view of their rough lifestyle.Jamie_Foxx_in_The_Soloist_Wallpaper_7_800

It’s difficult to pinpoint one reason why I really enjoyed watching this film.  I can tell you, however, that the combination of great acting especially by Foxx who never drops out of character, the images, and recurring Beethoven music – make this a poignant and touching film.

One of the themes in the movie touches on the healing powers of music, something many KMFA listeners comment on during the membership drives.  In one scene of the film, Ayers plays his cello to a group of homeless people who sit stunned and awed.  In all of their chaotic lives, this moment of calmness is a refuge from the rigors of living on the streets and it’s palpable.  

It’s not an obvious summer blockbuster flick with no doomsday events, aliens, or time travel, but it is a real story about a real musician.  If you enjoyed movies like The Red Violin, Shine, and Amadeus, then this is a must see.

Catch The Soloist at The Alamo Drafthouse.

Judy Watts, Development Coordinator

In celebration of Brahm’s birthday

Bion Tsang and Anton Nel

Bion Tsang and Anton Nel

Austin’s own Bion Tsang, cellist and Anton Nel, pianist celebrated Brahms’ birthday with a first-of-its-kind performance of Johannes Brahms four Hungarian Dances.  Usually listeners will recognize the violin as the focal instrument, however, Bion Tsang transcribed the classic work to cello.

We’re certain if Brahms were around today he would be delighted to hear this new version of Hungarian Dances.

Happy Birthday, Johannes Brahms!
Judy Watts, Development Coordinator

Accolades for Dan Welcher’s Symphony No. 5

First impressions upon hearing Dan Welcher’s Symphony No. 5 performed by the Austin Symphony Orchestra, conducted by Peter Bay:

How nice to meet you: What a treat it was to hear Dan Welcher’s much anticipated, brand new Symphony no. 5; it had kaleidoscopic color for the ears. I especially enjoyed Welcher’s lovely use of percussion and wind instruments. He added just the right dash of dissonance, to keep things spicy but never so much as to alienate his audience. There were even echoes of Austin in the work….were those bats I heard? The piece was engaging and the final movement was satisfying, as it recalled some themes from earlier in the symphony. Isn’t it nice to say, “I was there”?

Dianne Donovan
one pair of ears