“All I want for Christmas is a sackbut.” ~ Sara Hessel, KMFA Music Director

Actually, I don’t really want a sackbut for Christmas. My ears are already ringing with the three amazing early music Christmas concerts that I’ve enjoyed in the past week!

It all started with “Yule, Brittania!” presented by Texas Early Music Project. We enjoyed carols, chant and traditional music from England, Wales, Scotland and Ireland, spanning the 13th-19th centuries. TEMP’s vocalists were in excellent form, and did full justice to the lovely arrangements by artistic director Daniel Johnson. While they gave us lots of ‘new’ pieces, somehow it’s par for the course at Christmas to enjoy the old familiar favorites the best, like “Ye sons of men, with me rejoice,” and the heart-melting Scottish lullaby “Balooloo, my lammie,” with alto Stephanie Prewitt singing it like only she can.

I couldn’t believe my luck when I heard that the UK-based Dufay Collective would be performing in Houston! I’ve been a fan of their spirited performances for years, and have played their excellent recordings on Ancient Voices many times. Their program of 16th- and 17th-century English music was sheer joy to listen to. Vocalist Vivien Ellis seemed to have stepped right out of one of Henry VIII’s Christmas revels with her clarion tone, excellent diction and storyteller’s sense. Especially memorable was an anonymous ballad called “To drive the cold winter away,” and the very moving “Thys endere nyghyt,” gorgeously arranged by director William Lyons. It was fascinating to watch the players switch effortlessly from one instrument to another: Mr. Lyons played flute, recorder, curtal (an ancestor of the bassoon) and bagpipes!

Rounding out this incredible week of music was the most dynamic performance of Handel’s Messiah I’ve ever heard, given by Austin’s own Ensemble VIII, along with Mercury Baroque (Houston), and directed by Dr. James Morrow. Dr. Morrow’s historically informed performance gave this hoary yet beloved masterpiece a much-needed dust off. The pared-down vocal and instrumental forces made for an extremely transparent texture that allowed the listener to hear nuances usually lost in large-scale productions. Quick tempi were used to great effect, but even the fastest passages were executed with precision. But this was no purely technical performance! The whole emotional spectrum of this masterwork was there for the hearing: the exuberant delight of “For unto us a Child is born,” the mystical “Behold the Lamb of God,” the pathos of “He was despised,” and the majesty of the Hallelujah Chorus and “Worthy is the Lamb.” It was an unforgettable experience, and one that I hope to have the pleasure of repeating next year!

Sara Hessel is KMFA’s Music Director, as well as producer and host of Ancient Voices. Tune in on Sundays, 9am and 4pm, to enjoy Ancient Voices, right here on KMFA, 89.5.

Even rock stars tune in to KMFA!

~posted by Sarah Addison, KMFA Production and Membership Associate

Guess who dropped by the KMFA studios yesterday? Austin’s own slice of English Rock n’ Roll, Ian McLagan. He’s a resident of Central Texas and a supporter of KMFA, and we invited him to the KMFA studios for a friendly tour.

Ian’s well known for being the keyboard player for two of my favorite English groups, Small Faces and The Faces, as well as his most recent group, The Bump Band. Everyone at the station was thrilled to meet him, and when he arrived yesterday he couldn’t have been nicer. He even gave us copies of his new album Never Say Never, which has taken up permanent residence in my car’s stereo. He and KMFA announcer Carmel O’Donovan sat down in Studio 2000 to have a chat and record a testimonial about why he enjoys KMFA. See, even rock stars are tuned in to KMFA! Stay tuned, the finished spot will be on the air and online soon…


Austin Symphonic Band presents “Remembrance and Hope”

~posted by David Crews, KMFA announcer

Last weekend, the Austin Symphonic Band presented a concert on December 2nd. The theme was “Remembrance and Hope,” to commemorate the 70th anniversary of the attack on Pearl Harbor, and then promising look forward to the holiday season. We enjoyed music from the 1940s, with exciting pieces like Victory at Sea, as well as lighter offerings such as In the Miller Mood, and some holiday favorites as well.

I was the narrator for one piece titled “Duty, Honor, Country,” based on a speech by General Douglas MacArthur.  I was very pleased to be able to perform this role, especially since my father is a medaled combat veteran of WWII.

The piece I narrated was very well received and it was an altogether enjoyable experience.  Here’s a photo from the event, and you might want to look now – I only wear a suit a few times a decade! Thanks to all the members of ASB for their good work and for the invitation.

KMFA’s first Gamba-cast: listen to La Follia’s “An Angel-ic Concert”

KMFA broadcast a special presentation of An Angel-ic Concert with La Follia Austin Baroque and internationally celebrated countertenor Ryland Angel! KMFA recorded this performance live at St. Louis Catholic Chapel on Nov. 5th. Listeners immersed themselves in the rich voice of one of the finest countertenors working today, as he presented sumptuous Marian hymns from Italy and the Austrian Court, backed by the musicians of La Follia, directed by Keith Womer. Original KMFA broadcast time was Sunday, November 27th at 2:30pm.

If you missed the original broadcast, you can listen to it again, just by visiting the KMFA website:
www.kmfa.org/SH-Angelic-Concert.htm

Enjoy!